New York: Poetry Society of America, 2016. First Edition. no binding. Decorated broadside printed in two colors. "This cento is composed of titles and first lines of first poems from the prize-winning books of taking part in the Pulitzer Centennial Poetry Celebration." Printed in an edition of 100 total copies.....
New York: The Ecco Press, 1997. First edition. Hardcover. Cloth-backed boards in dust jacket; 8vo. 112 pp. Signed by the poet. The first volume of new poems following her Pulitzer Prize. Fne in fine dust jacket.
New York: Ecco Press, 1993. First edition. Hardcover. Cloth-backed boards in dust jacket; 8vo. 146 pp. Signed on the title page by the poet. Fine in a fine dust jacket.
New York: The Ecco Press, 2002. First Edition. Hardcover. First printing. Signed (not inscribed) by the poet on the title page. Fine in a fine dust jacket.
New York: Harper Collins, 2005. First Edition. Hardcover. Burgundy boards in dust jacket; square small 4to. 93 pp. Quite nicely inscribed by the poet in Paris and signed in the year of publication on the title page. A fine copy in like dust jacket. Somewhat uncommon signed.
[New York]: The Academy of American Poets, N. d. First Edition. Paperback. Stapled wrappers in blue paper covers with paper label; small 8vo. [10 pp.] One of 200 copies "for friends of the The Academy of American Poets"; designed by Dean Bornstein at the Perpetual Press in Peacham, VT. [colophon].....
New York: The Ecco Press, 1991. First Edition. Hardcover. First edition. The poet's fourth collection, signed on the title page. Fine clearly never read copy in very near fine dust jacket. (In removable archival jacket protector.).
New York: The Ecco Press, 1991. First Edition. Hardcover. First edition. The poet's fourth collection, signed on the title page. Fine and tight in like dust jacket with the lightest of wear at crown and foot. (In removable archival jacket protector.).
New York: The Ecco Press, 1991. First Edition. Hardcover. Cloth-backed boards in dust jacket; 8vo. 130 pp. The poet's fourth collection, Inscribed and signed by the poet on the title page. Fine and tight in like dust jacket. (In removable archival jacket protector.).
New York: The Ecco Press, 2000. First edition. Paperback. An uncorrected proof in glossy wrappers of the poet's seventh full-length collection. Small chip to the crown, lightly creased, at least very good in glossy wrappers.
New York: The Ecco Press, 2000. First U.S. Edition. Hardcover. The poet's seventh full-length collection. Fine in Fine DJ (In removable archival jacket protector.).
New York: ECCO, 2000. Third printing. Hardcover. Third Printing. The poet's seventh full-length collection. Signed by the author on the title page. Autograph sticker from bookstore on dj cover. (In removable archival jacket protector.).
New York: The Ecco Press, 2000. First U.S. Edition. Hardcover. Black boards in dust jacket; 8vo. 114 pp. Signed by the poet in 2012. The poet's seventh full-length collection. Fine in Fine DJ (In removable archival jacket protector.).
New York: The ECU Press, 2000. First edition. Paperback. An uncorrected proof in glossy wrappers of the poet's seventh full-length collection. Signed by the poet with the note below her signature "[a galley!]. One tiny nick to the foot of the spine, otherwise fine with publisher sheet laid in.
Boston: Ishtar Press, Spring 1979. First Edition. Paperback. Illustrated wrappers; 8vo. 102 pp. This "Special Women's Issue" is signed by Jorie Graham who contributes the poem "Cross-Stitch" which later appeared in her first collection. A solid issue with Giovanni's "Cotton Candy on a Rainy Day", and work by Babette Deutsch.....
Athens: Univ. of Georgia, Summer 1981. First Edition. Photographic wrappers; small 4to. Pp. 25-430. Signed by Jorie Graham at her contribution the poem :"Haying". Rubbing, minor wear, at least very good.
Iowa City: University of Iowa Press, Spring -Summer 1980. First Edition. Paperback. Illustrated wrappers; 8vo. 304 pp. Signed by Graham at her contributions the poems "I Watched a Snake" and "Mist". Poems also from Robert Bly, William Stafford, G. Stern, Charles Wright, Russell Edson and many others, and fiction and.....
Berkeley: Poetry Flash, April-May 1994. First Edition. Paperback. Newsprint. 32 pp. This copy signed by Graham at her contribituion the peom "Field". Poetry Flash mostly was a review and calendar, with ocasional poems. Photos of Bukowski, Hejinian and Forche accompany reviews or appearances. Folded for mailing, recipients mailing label, else.....
Chicago: The Modern Poetry Association, November 1983. First Edition. Paperback. Illustrated wrappers; small 8vo. pp. 63-112. Signed by Jorie Graham who makes her first appearance in POETRY two times at her contributions of two poems "Mirror Prayer" and "Expecting". Also, Philip Levine, and Ted Kooser and Marie Howe with their.....
Iowa City: Univ. of Iowa, 1987. First Edition. Paperback. Illustrated stapled wrappers; small folio; 68 pp. Signed by Graham at her contribution an excerpt from "Pollack and Canvas". Attractive production, with mostly student work, U of I grads, and here a couple of articles by novelist Colin Harrison and an.....
Richmond: VQR, Spring 1979. First Edition. Paperback. Printed wrappers; small 4to. Pp. 41-382. Signed by Jorie Graham at her contribution the poems "Hybrid of Plants and of Ghosts" (the title poem of her first book which was published in 1980) and "To Paul Elouard". An easily very good copy.
New York: Antaeus, Summer 1979. First Edition. Paperback. Illustrated wrappers; 8vo. 167 pp. Graham has signed this copy at her contribution of two poems on pp. 72: "Pearls" and "A Feather for Voltaire", neither which appear in her first book just then published, nor in her second under those titles.....
New York: Antaeus, Autumn 1982. First Edition. Paperback. Illustrated wrappers; 8vo. 195 pp. Graham has signed this copy at her contribution of two poems on pp. 79-86: "Masaccio's Explusion" and "Scirocco". Also, poems by Updike "Plow Cemetery", Pinsky, Kizer, Matthews and many others. Spine toned else very good.
Iowa City: Univ. of Iowa, 1986. First Edition. Hardcover. Red cloth in dust jacket; 8vo. 233 pp. Exhibition catalog signed by Jorie Graham at her contribution the poem "Pollack and Canvas" on pp. 147-154. This is the first appearance of the poem published later in THE END OF BEAUTY. Graham.....
Seattle: Water Table, Fall 1980. First Edition. Paperback. Decorated wrappers; 8vo. 92 pp. Signed by Charles Wright and Jorie Graham at their contributions the poems "Dead Color" and "Syntax", respectively. "Syntax" appeared in the the poet's recently published first book. Near fine.
